Writer You Rather

The first several questions are from Rachel Poli, and then I found some more here because I was bored. Feel free to answer these questions on your own blog if you want. Link back to me so I can see your answers, though. 😊

Would you rather go on a writing retreat in the middle of nowhere with no wi-fi, or in your home office being interrupted every so often by friends and family?

That depends on the length of the retreat. The middle of nowhere sounds kind of nice. Is it somewhere picturesque? I could deal with no wifi for, I dunno, about a week. (I once explained being an introvert to my mom by saying, “I could be shut up alone in my room with a stack of books and my laptop for a week and I’d be fine. You’d go stir crazy within a day or two.”)

Any longer than a week and I’d take the home office option. At least that way I can get some kitty snuggles in too.

Would you rather publish one best-selling novel and never write again, or publish multiple novels that either don’t sell well or sell average?

Multiple novels that sell average. I’m not in this for the money, I figure I’ll always have a day job one way or another. If I don’t have something external to influence my schedule I tend to drift toward nocturnal and that’s not necessarily a good thing.

Would you rather be a best-seller with your real name and people stopping you everywhere you go, or a pen name no one knows who you are?

Real name. Don’t get me wrong, if you stop me on the street I’ll be awkward as hell, but I want my name on my work. If only so my parents can finally brag about how cool I am and send copies to everyone they know.

Would you rather teach English/creative writing high school classes, or college classes?

College, because ugh teenagers. Plus it’d be nice to teach people who aren’t just there because they have to be.

Would you rather only be able to write during NaNoWriMo months (April, July, and November), or only be able to write five days per month?

Mathematically, the NaNo option would give me more time to write, 90 vs 60. But… realistically, I probably work on my creative writing about five days a month right now anyway. That’s a low I’m working on changing, but for now I’ll go with the second option. Slow and steady wins the race is more my forte anyway.

Would you rather read your writings to an audience of ten people who love you or to 10,000 people you don’t know?

Ten people who love me. I’m not a crowds person.

Would you rather do a cross-country book store tour or blog tour?

I’m not entirely sure what both of those entail, but I guess I’d take the book store tour. It’d be a nice chance to get out and about, see bits of the country I’ve never seen before, all that jazz.

Would you rather write in a rooftop garden surrounded by city noises — or in a quiet studio with cows as your neighbors?

I’m going to go with cow neighbors, just because living in a city would up my general anxiety level more than I’d like. I can’t imagine not having a car, but I know that living in a city would either be murderous parking fees forever or murderous attempting to parallel park forever. Also, I’m not so naive that I don’t realize it would be both. Forever. I get nervous just being a passenger in city traffic. That kind of stress is not good for the creative juices.

Would you rather teach writing in a high school or go back to grad school for a Creative Writing degree?

Creative Writing degree. I’ve considered this, but don’t have the money or quite enough motivation available to actually do so. Also, see above where one of my answers included the phrase “ugh teenagers.”

Would you rather bravely share your writing or sit on the writing sidelines forever?

Brave. I’m writing to get these stories heard, what’s the point if no one ever reads it? Otherwise I’m essentially just doodling around in a private journal. I know I’m an anxious person, but I’ve been sharing my work in creative writing classes since high school and sharing fics (at varying levels of polish and read by beta readers) online since college. I can deal with that part of it.